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Reinhilde Van Grieken라인힐더 반 그리에켄

  • NATIONALITY
    Belgium, 벨기에
  • CURRENT JOB/POSITION
    SCULPTURAL CERAMIST
  • EDUCATION
    1987 ACADEMIE HERENTALS
  • EXHIBITION
    2018 NO MAN IS A ISLAND, CERAMIC ART AVENUE ART GALLERY, Jingdezhen, China
    2018 KERAMIEK TRIENNALE, CODA MUSEUM, Apeldoorn, Nederlands
    2018 EUROPEAN PRIZE FOR APPLIED ARTS, WCC-BF Les Anciens Abattoirs, Mons, Belgium
    2018 EUROPEAN PRIZE FOR APPLIED ARTS, National Design & Craft Gallery Kilkenny, Dublin, Ireland
    2018 BIENNALE EXPOSITION CERAMIQUE CONTEMPORAINE, Centre Culturel, Andenne, Belgium
    2017 REFLECTIONS, Castle Le Paige in collaboration M HKA Museum, Herentals, Belgium
    2017 CERAMIC EVENT, Contemporary Ceramics Gallery L'O, Brussels, Belgium
    2016 XXIVe BIENNALE INTERNATIONALE, Musee Magnelli, Vallauris, France
    2016 EUROPEAN PRIZE FOR APPLIED ARTS, Centre Culturel, Andenne, Belgium
    2016 A VASE IS A VASE, AD Gallery, Antwerp, Belgium
  • AWARD
    2018 3the Prize, Ceramique Contemporaine, Ceramique Art Andenne, Andenne, Belgium
  • COLLECTION
    2013 Designmuseum, Gent, Belgium
    2010 Museum “La Piscine”, Roubaix, France
    2010 Museo de Teruel, Zaragoza, Spain
    2000 MuZee, Oostende, Belgium

나는 단지 소통을 위한 수단으로 점토를 사용한다. 나는 무의식적으로 모순된 형태를 추구하고 있는 것 같다. 흥분, 안정과 불안정이 교차하는 빛과 어둠, 그림자를 추구하는 여정. 우연히 혹은 고의적으로 감정을 드러내기도 한다. 3차원으로 감정을 해석하고 전달한다. 소통은 중요하며 위안을 준다. 예술은 언어이다.

I use clay merely as a means to communicate. I consider. Unconsciously, I look for shapes with contradictions. Fascinating, set, and unstable, in search of light and dark, shadow. By chance, deliberately giving away feelings. Translating and conveying emotions in three dimensions. Communication is important, is relief. Art is a language.