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Irina Razumovskaya이리나 라즈모프스카야

  • NATIONALITY
    Russia, UK, 러시아
  • ADDRESS
    London, UK
  • CURRENT JOB/POSITION
    Artist
  • EDUCATION
    2017 Royal College of Art London, Ceramics and Glass, MA
    2014 St. Petersburg State Academy of Art and Design, Fine Art Major, Ceramics Major., Ceramics and Glass, MFA
    2012 St. Petersburg State Academy of Art and Design, Fine Art Major, Ceramics Major., Ceramics and Glass, BA
    2010 Bezalel Academy of Art and Design, Ceramics and Glass, Year Abroad
  • EXHIBITION
    2018 Inner Geometry (solo), Officine Saffi Gallery, Milan, Italy
    2018 Connections, Artists at Seoul General Assembly, Seoul, Korea
    2018 Collect, Saatchi Gallery, London, United Kingdom
    2018 Ceramics NOW, Faenza Ceramic Museum MIC, Faenza, Italy
    2017 Fragile (2 ppl show), Puls Gallery, Brussels, Belgium
    2017 FOG (solo), Hiros Agoda Gallery, Kecskemet, Hungary
    2017 Emerging and Established, Christies auction house, London, United Kingdom
    2016 Ritual Voids (2 ppl show), Officine Saffi Gallery, Milan, Italy
    2015 Urban Milk (solo), ew Taipei City Yingge Ceramic Museum, Yingge, Taiwan
    2015 The Edge, Kunstlerhaus Stadtopferei, Neumunster, Germany
  • AWARD
    2018 First Prize, International Triennial of Silicate Art, International Ceramics Center, Kecskemet, Hungary
    2018 First Prize, Carter Preston Prize, Bluecoat Display Centre, Liverpool, United Kingdom
    2018 Finalist, LOEWE Craft Prize, Loewe Foundation, London, United Kingdom
    2018 Finalist, 60th Faenza Prize, International Ceramic Museum, Faenza, Italy
    2017 First Prize for Young Artist, Cluj International Ceramic Competition, Cluj Ceramic Museum, Cluj, Slovenia
    2016 First Prize, Biennal de ceramics d’Esplugues Angelina Alos, Ceramic Museum d'Esplugues, Barcelona, Spain
    2016 First Prize for artists under 35, 8th NASPA, Ceramic Talent Award, Westerwald Ceramic Museum, Westerwald, Germany
    2015 Honorable Mention, GICB Biennale, Gyeonggy International Ceramic Biennale, Icheon, Korea
    2015 D'A Special Award, 59th Faenza Prize, International Ceramic Museum, Faenza, Italy
    2014 Honorable Mention, Mino International Ceramics Competition, Mino Ceramic Museum, Mino, Japan
  • COLLECTION
    2017 Mark Rothko Centre, Daugavpils, Latvia
    2017 Foundation for Contemporary Ceramic Arts, Kecskemet, Hungary
    2017 Chatsworth House, Derbyshire, United Kingdom
    2016 New Taipei City Yingge Ceramic Museum, Yingge, Taiwan
    2015 Schloss Glucksburg ceramic Museum, Romhild, Germany
    2015 International?Ceramic Museum, Faenza, Italy
    2015 Gyeonggi International Ceramics Museum, Icheon, Korea
    2014 Mino Ceramics Museum, Mino, Japan
    2013 Yerevan Contemporary art museum, Yerevan, Armenia
  • RESIDENCY/WORKSHOP
    2018 Bursary Residency, Bruckner Foundation for Contemporary Ceramics, Geneva, Switzerland
    2018 Artist in Residency, Shangyu Celadon ceramics Museum, Shangyu, China
    2017 International Symposium “Celebration”, International Ceramic Studio, Kecskemet, Hungary
    2016 4th International Ceramic Art Symposium, Mark Rothko Centre, Daugavpils, Latvia
    2015 Resident artist, Stadttopferei Neumunster, Neumunster, Germany
    2015 Resident artist, New Taipei City Yingge Ceramic Museum, Yingge, Taiwan
    2015 International Ceramic Symposium Romhild, Schloss Glucksburg ceramic Museum, Romhild, Germany
    2014 Visiting Artist, K-State University, Manhattan, USA
    2014 Resident Artist, Primitive Sense Art Festival Residency, Kizaki, Japan
    2014 Residency, Guldagergaard International Ceramic Research Centre, Skaelskor, Denmark

이리나 라즈모프스카야의 설치작품은 고고학적 상상의 산물이다. 고대 건축물의 형태들을 결합시킨 그의 작품은 먼 옛날에 보았던 신기루이며 오랫동안 잊혀져 폐허가 된 유적들에 담긴 정신의 메시지를 전달한다. 관람객들에게 덧없고 단순해 보이는 것들의 이면에 심오하고 영속적인 정신이 존재하고 있음을 상기시킨다.

In her work Irina Razumovskaya collects imaginary finds from contemporary oneiric ruins, built on the vision of unconscious forms and symbols. She thus reiterates her firm conviction that lyricism consists more in concealing than in unveiling, and that art finds its maximum expression “between the lines” of a poem, between the cracks in ceramics, in the mystery, in its full etymological sense of what must not - or should not - be revealed