- CURRENT JOB/POSITION
2018 Jingdezhen ceramic University, Daily use ceramics design, master
2018 Jingdezhen ceramic University, Ceramic art design, bachelor
2018 The Eleventh China Ceramic Art Exhibition, China Ceramic Industry Association, Longquan, China
2018 Special exhibition of contemporary Chinese art ceramics, New York design week, New York, America
2018 China (Liling) International Ceramics Exhibition International Exchange Exhibition, Liling ceramic Valley International Convention and Exhibition Centre, Liling, China
2018 Silver Award, Wa Tao ceramics and design competition, School of design and art, Jingdezhen ceramic University, Jingdezhen, China
2018 Bronze Award, The third Changnan Cup Ceramic Design Competition, Jingdezhen Art Gallery, Jingdezhen, China
2018 Award of excellence, The third CHINA china blue and white porcelain theme ceramic product design competition, Jingdezhen ceramic University, Jingdezhen, China
2017 Bronze Award, China He Chao Zong Ceramic Design Competition, Dehua County People's Government, Dehua, China
2017 Award of excellence, The second CHINA China Ceramic Design Competition, China Silicate Association, Yuzhou, China
2018 Jingdezhen Art Gallery, Jingdezhen, China
생활 도자기를 혁신적으로 디자인하려면 전혀 새로운 관점에서 혁신적인 디자인의 함축된 의미를 살펴보아야 한다. 생활 도자의 4가지 요소인 ‘형태’, ‘장식’, ‘기능’, ‘독창적인 재료’를 최고 수준으로 완벽하게 결합하기 위해서 도예가는 선진 의식을 갖추고 전통적 개념에 도전장을 내밀고 시대의 요구를 충족시켜야 한다. 또한, 도자 기법에 숙달했을 뿐만 아니라 회화, 몰딩, 문화유산에 대한 단단한 기반을 갖추고 있어야 한다. 정서에 호소하여 감동을 주는 디자인을 일상생활 도자기 디자인에 접목함으로써 소비자의 물질적, 정신적 수요를 만족시키는 훌륭한 제품을 만들 수 있다.
Innovative design of everyday ceramics requires designers to examine the connotation of innovative design from a brand-new perspective. With advanced consciousness, daringn to challenge traditional concepts and meet the needs of the times, not only to master the material of ceramic technology, but to also have a solid foundation of painting, modeling, and profound cultural heritage, in the shape, decoration, function, material to break through and innovate, and achieve the highest state of perfect combination of the four. By integrating touching design emotion into the design of everyday ceramic pots, we can produce good products that meet people’s material needs as well as their spiritual needs.